Topic: Censorship of arts by the media

Censorship can be a finely tuned system of protecting our children. Just as we recognise that certain content should not be accessed by society at all, we can also recognise that certain content (e.g. sexual content) is unsuitable for children, and we can pass censorship accordingly. For example, certain forms of erotic artwork might be unsuitable for children, despite their artistic merits.

On the other hand, Censorship, even when age rating systems are used, is a very blunt tool. It takes no account of the differing standards of education or maturity between children and youths, or the varying attitudes towards parenting in different households. By imposing an external standard of censorship, the government is depriving parents of the right to raise their children in a manner that they see fit. We lose the element of parental discretion, which is arguably part of the right to lead a private and family life as one sees fit – a right that is enshrined in many international human rights conventions. Looking at adults, we see that they have the right to vote, bear arms, and die for the country. Why should they be deprived of the ability to decide what they wish to see, or what their children should be allowed to watch?Lastly, we should note that people are not being forced to view artwork at gunpoint. Every member of the public has the right to avert their eyes and not look at art that offends them. Similarly, they can refrain from entering a gallery with an exhibition of offensive works.

Many forms of modern art seek to push the boundaries of what is acceptable, or aim for the lowest denominator in taste. Both situations can give rise to content that is unacceptable, and which governments should not permit.

However, The risks of stifling free expression far outweigh the potential for unacceptable material. Content which we consider perfectly acceptable today would have been regarded as taboo 50 years ago – if the Proposition had their way, we would all still be stuck in the Victorian Era. Besides, if a novel and controversial art form proved to be completely out of touch with society, then the individuals in society would reject it rather than be corrupted by it.

Even if some individuals manage to circumvent the censorship measures, the Government has sent an important message about what society considers to be acceptable. The role of the state in sending social messages and setting social standards should not be underestimated, and censorship (be it through bans or minimum age requirements) is an important tool in thisprocess.

However, Censorship is ultimately infeasible. Try censoring art on the internet, for example! With the advent of modern technology, text, photography and film can now be distributed on the internet. The sooner we recognise the reality, the better. In addition, if we censor art which depicts an unacceptable act or viewpoint, it merely sends it underground. It might also glamorise the prohibited artwork and play to the forbidden fruit and counterculture tendencies inherent in human nature. Far better to keep such art accessible to the public, where people can see for themselves that it is “bad”. If the censorship board is truly acting in line with public morals, it has nothing to fear from transparency and letting the public decide for themselves that a piece of art is unacceptable.

LInk:http://www.cfr.org/publication/11515/
LInk:http://digital.library.upenn.edu/books/banned-books.html
LInk:http://www.thirdworldtraveler.com/Media/Media%20Censor_ProjCensor.html